The Star Trek films are a mixed bag. The science fiction motion pictures have been a cinematic staple considering that the late ’70s and have transitioned through 3 significant periods, so it’s to be expected that there’s some variation in quality.
The Star Trek film series started with the motion pictures with the original cast, led by William Shatner’s Kirk, Leonard Nimoy’s Spock, and DeForest Kelley’s Bones. Then, there were the TNG-era movies, which continued the adventures of Captain Picard and the rest of his crew.
After a short break, the Star Trek franchise returned to the big screen with a reboot of the TOS-era cast. Chris Pine took on the function of James T. Kirk, flanked by a younger cast consisting of Zoe Saldaña, Zacahary Quinto, Karl Urban, and Simon Pegg.
That long cinematic history means that, with Star Trek 4 still up in the air, there are currently 13 Star Trek movies. That’s a challenging number, however fear not: we’re here to arrange the flops from the high-flyers. Here’s our guide to all 13 Star Trek motion pictures, ranked from finest to worst.
STAR TREK: Generations
Here’s the important things: the ending to TNG was perfect. It concluded the story of the Enterprise-D, its crew, and Captain Picard with a difficult level of expertise.
So, any follow-up needed to validate itself as a needed addition to the story. Generations totally stopped working to fulfill that bar. The result is that the film is a mess that, like Nemesis, has shockingly few redeeming functions.
The film’s plot is a convoluted puddle of slop, filled with more holes than a really holey piece of Swiss cheese. Visually, Generations tries to make the USS Enterprise-D more cinematic.
But the outcome is that whatever looks cold and empty, with a sickly colour filter stuck over the top for good step. The attempted action is laughable, and like with Bane, the majority of the Business’s team are delegated defend irrelevant scraps.
It’s a flop, a botched start to the TNG-era movies, and a limp ending to the story of Kirk. Everybody should have much better, especially us.
STAR TREK: Bane
Nemesis is light on redeeming functions. Tom Hardy, as a young Picard-clone, is the film’s villain, and the actor does the best with what he’s offered, but he isn’t offered a lot.
It also does not assist that, more than even the other TNG-era films, the supporting cast are essentially relegated to cameo functions in what must be their own film.
It attempted to be a space-thriller movie, but rather, Nemesis is a dour, dismal, undeserving end for the TNG story, and a baffling conclusion to an era of Star Trek motion pictures that might never really find it footing. Ideally, Star Trek Picard season 3 can act as a better send-off to a group of characters who are so precious by so many.
STAR TREK Into Darkness
Into Darkness is the Star Trek motion picture that is most dedicated to spectacle and action. There are substantial explosions, brutal hand-to-hand fist fights, and of course, starship battle.
Regrettably, this comes entirely at the expenditure of coherence. The film’s plot is a mess, and it relies too greatly on characters and tropes from previous motion pictures without understanding why they were originally effective.
So, not only is it an injustice to the main cast and their characters, however also the cameo characters who it revives from the past. The main offender here is Benedict Cumberbatch as Khan. The reveal of his identity could not have been any less impactful, or anymore sigh-inducing. It does, a minimum of, feel like a motion picture. The exact same can’t always be said for a minimum of among the remaining entries in the list.
STAR TREK: The Final Frontier
It appears that each period of the Star Trek movie series is required to advance at least one bad motion picture– and in some cases much more. The Final Frontier is the TOS-era’s offering.
The action series are dull and cheap, the visuals took a dive, and the plot’s grand objectives (the crew of the Business satisfies the creator of deep space) lack instructions and are over-ambitious. Spock’s half-brother, Sybok, is the story’s bad guy and among the only positive features of the film. Nevertheless, he can’t conserve the film, and The Last Frontier is the first severe misstep in the series.
STAR TREK: Insurrection
Insurrection is typically referred to as the TNG movie that feels most like an episode of the TNG sci-fi series. If only that held true.
Sadly, Insurrection would not even rank amongst the top half of the best TNG episodes, so there’s no possibility that it was going to be in any way memorable as a movie. It’s a forgettable, soft effort which attempts to return to a more basic premise and stops working.
It’s also totally dull. There’s just not that much to say about a movie so uninspired and lacklustre. If you’re ironing some clothes, and it’s on in the background it’s practically appropriate. However if you want to sit down and watch the film from start to finish as a correct cinematic experience, I wish you luck.
Star Trek 2009
Star Trek 2009 was the start of a whole brand-new era. This was the very first Kelvin timeline movie, and it guaranteed to provide audiences a new take on Star Trek. It was developed to appeal to a more traditional combination, while maintaining the iconography of the Star Trek movies that had actually come previously. In what it attempted to do, it mostly was successful.
The plot isn’t particularly meaty, but Star Trek 2009 is more about introducing the audience to brand-new faces playing old characters. It’s charming and entertaining, and though it loses a great deal of what makes Star Trek so unique as a franchise, it still handles to sweep you up and take you along for the trip. It could have been better, and it could have been even worse. Either way it’s a decent quantity of fun.
STAR TREK: The Search for Spock
The Search for Spock serves as a completely serviceable conclusion to the first three Star Trek motion pictures, which form a mini-trilogy. The film is a middle-ground in between the strengths of the very first and 2nd movies, so unsurprisingly, it isn’t rather as distinctive as either.
However, it still effectively keeps the adventurous spirit of the original series while checking out interesting themes around life, death and rebirth. That success is mainly thanks to the instructions of Leonard Nimoy, Spock himself. The destruction of the Business is a particular emphasize of the film, though other effects are a bit jankier. If the Star Trek motion pictures had actually ended as a trilogy with The Look for Spock, that would have been no bad thing.
STAR TREK: The Undiscovered Country
The Undiscovered Country is the last entry in the first period of Star Trek films. Nicholas Meyer, who helmed The Rage of Khan, went back to finish off the film series, which led to a great deal of tonal and thematic resemblances in between the 2.
That’s no bad thing, and like The Rage of Khan, the motion picture integrates individual stakes with tense action to fantastic impact. It brings in a few of the humour from The Voyage Home and is gripping and weighty while likewise keeping an enjoyable, light-heartedness.
In effectively balancing entertaining action and funny with minutes of tension and gravity, The Undiscovered Country is the blueprint that many subsequent Star Trek motion pictures intended to replicate. It’s tough to conceive of a more fitting send-off to the cast of Star Trek’s original series.
STAR TREK: The Trip House
The Voyage Home is, naturally, the one with the whales. It’s likewise much, far more and provided a fresh and enjoyable handle Star Trek that had plenty of minutes of levity and enjoyment.
The Trip Home is a lot less serious than either of the first 3 films, which are normally more sombre and tense. This helped to inject a sense of life and newness back into the Star Trek movie series, and the motion picture is, possibly, the ultimate Star Trek crowd pleaser. It’s a simple watch, with adventure, action, and humour well balanced almost to excellence.
STAR TREK: The Movie
The very first Star Trek movie, Star Trek: The Motion Picture, is an underappreciated, underrated gem. Yes, it’s slow, plodding, sombre, and– sometimes– laborious. But, more than any other Star Trek motion picture, it records the essence of Star Trek’s structure, the television series. The visual impacts and cinematography, still, are spectacular, and Jerry Goldsmith’s rating is among the perpetuity greats of sci-fi motion picture soundtracks.
The return of Kirk to the Enterprise is entirely triumphant, while the friction in between the primary trio unfolds exceptionally. If you can stay with it, the unsettling environment will draw you in, and not let you go till the final credits roll.
STAR TREK: First Contact
After the frustration of Generations, Star Trek: First Contact handled to discover a method to bring the Enterprise and its crew into a cinematic format with confidence and success. The movie was helped by the reality that it used Star Trek’s biggest bad guys, the Borg, as the antagonists. It even manages its time-travel plot with surprising deftness, and has a few of the best action sequences that Star Trek has actually ever put to film.
Make no mistake– First Contact is an action motion picture first and foremost. The motion picture’s focus on action can be criticised as the start of Captain Picard’s change into an action hero, rather than what he was previously. However, evaluated by itself, it is certainly the very best of the TNG-era films and, yes, among the best Star Trek movies in general. It’s simply an embarassment that those successes were never replicated by future TNG-era instalments.
STAR TREK: Beyond
Star Trek: Beyond is when the Kelvin timeline series lastly struck its stride. It was the ideal mix of the action-adventure format that the new age wanted to pioneer, however it handled to ditch the universe-spanning stakes that made the previous Kelvin motion pictures so unwieldy.
The entire cast lastly feels settled in, and Chris Pine is at his best as Captain Kirk. Three years into his five-year objective the character is starting to be overwhelmed by the challenging vastness of area. It’s a terrific set-up, and the toned-down individual drama makes the adventure movie feel a lot more Star Trek. Beyond is unquestionably the greatest of the Star Trek Kelvin timeline motion pictures, and among the most underappreciated Star Trek movies in basic.
Star Trek: The Rage of Khan
The 2nd Star Trek motion picture, The Rage of Khan, is the only Star Trek film that genuinely manages to blend action, stress, and experience without jeopardizing on that essential, nearly indescribable Star Trek feel. Other Star Trek films have actually handled to prosper at one or the other, however The Wrath of Khan is the only one to unarguably nail both.
It’s likewise the Star Trek motion picture with the greatest bad guy, which obviously, is a huge component in the recipe for cinematic success. It likewise permits Shatner’s Kirk to be pressed to the very edge of his limits, which’s absolutely an advantage. The ending is among Star Trek’s psychological highs, with Spock’s short-term death being shocking and made.
13 Star Trek movies suffice sci-fi for anyone. So, why not swap categories and take a look at our guide to the best dream films for a refresher? Or, if you’re in some way desperate for more Star Trek content, take a look at our guide to the Star Trek captains ranked.