“Poltergeist” scarred an entire generation who will never trust fixed on TVs or creepy clown dolls as long as they live. It likewise occurred to modernize the ghost story in an entire brand-new method.
Scary in the 1970s and 1980s was everything about bringing the beasts of yore into an identifiable world, far from gothic castles and foggy European graveyards. Tobe Hooper did that with “The Texas Chain Saw Massacre,” bringing his renowned killer into recognizable small-town Texas, and Steven Spielberg provided a credible great white shark to the shores of a little coastal town in “Jaws.” It was only fitting that the 2 would collaborate to completely redefine how audiences saw ghosts on film in “Poltergeist.”
Spielberg composed the script himself, his very first screenplay credit given that “Close Encounters of the Third Kind,” which tells the story of the Freelings who could be the family up the block. Ghosts in suburbia were not a typical thing at this moment, that makes their appearance here even more shocking.
“Poltergeist” doesn’t pull any punches. Kids are continuously in risk, when the ghosts appear they’re far more terrifying than just spectral shapes or people in ratty clothes and white pancake makeup, and all that tension is just heightened since you appreciate this household. It could be your own! One day you may get up to find the old yard tree attempting to eat your kid!
With a wonderful Jerry Goldsmith score, beautiful cinematography, great efficiencies, and ILM at their finest, “Poltergeist” remains a classic. (Eric Vespe)
Source: https://www.slashfilm.com/892272/the-15-best-ghost-movies-of-all-time-ranked/